![]() But if you can live with 10 layers, you can go up to 2,048 x 2,048 pixels. If you want to use 16 layers, the maximum file size is 1,600 x 1,600 pixels. You can choose between a larger file size than the default but with fewer possible layers or stick with the default and the maximum number of layers. The images you pull into Photoshop Touch are downsized if they exceed the app's maximum file sizes.īut there are two file size options starting with v1.2. With the 1.2 revision, Photoshop Touch makes it easier to sync files with the Cloud in a variety of formats. You can access Adobe's Creative Cloud, Google and Facebook. Lots of sources, including Adobe's Creative Cloud.Īnd Photoshop Touch can access images that are not stored on the tablet. Photoshop Touch, however, can also grab an image with the tablet's built-in camera.įiles. Local photo storage on the iPad (which is what we used for this review) is either your Photo Stream or Camera Roll, the two places Snapseed can access. It can be frustrating to work on an image in one app and not be able to find it in another. There are a lot of places for images to hide on a tablet where the file system is invisible to the user. You have to find an image to edit it, after all. And for image editing software, right away. You don't worry about where your image is because it tags along with the app that created it. The first tablet limitation we ran into was really one of a tablet's attractions: the invisible file system. But primarily Photoshop Touch relies on Actionscript. Photoshop Touch uses the AIR runtime, which shares a lot with Flash. One limitation Adobe has gotten around for this app, though, is the lack of a Flash player on iOS. Your finger is precise enough for Web browsing (although that can be argued) but when it comes to precision drawing, you need a stylus. We've found, however, the touch interface profits from the use of a stylus with these applications. Snapseed worked well within the same limitations, but it's important to note that it isn't the application but the operating system which imposes them.īesides portability, one of the benefits of working on a tablet is the touch interface. And the desire to hide the file system from the user makes finding your images an app-by-app adventure. Not only do they include the lack of system-wide color calibration but they also restrict image size. The limitations of a tablet environment are worth pointing out. What is Photoshop Touch? It's a layers-based bitmap editor built for tablets running either Android, on which it was first released, or iOS. So we come to the $9.99 Photoshop Touch not so much to compare it to Lightroom or Photoshop or iPhoto, which we think would be a mistake, but to evaluate it for what it is. Our approach when reviewing a new concept is to test the concept more than the implementation. Added four new Effects: Watercolor Paint, HDR Look, Soft Light and Soft Skin.Added two new Tutorials: Layers & Selections, Tilt-Shift Effect.Added ability to transfer images to desktop via iTunes.Improved rotate and flip image workflow.Added export to PSD and PNG via Camera Roll or email.Available in 6 languages: English, French, German, Japanese, Spanish, Italian.Automatic synchronization with Creative Cloud.You can change the default in the app's Preferences. The default remains 1,600 x 1,600 pixels with up to 16 layers. Maximum resolution is 2,048 x 2,048 pixels restricted to 10 layers.Version 1.2 was released late May 11 with the following enhancements: IOs requires an iPad 2 or later running iOS 5.Īdobe has posted a FAQ to answer the most common questions about Photoshop Touch. We've been reviewing some of the more promising tools including WD Photos, Datacolor SpyderGallery, Nik Software Snapseed, Revel, Pholium and now Photoshop Touch.Īndroid tablets must be running version 3.1 or higher with a display size of 8.9 inches or larger and a display resolution of 1280x800 minimum. Relaxed a bit perhaps (with more RAM) but not resolved.ĭespite the constricting environment, app developers have been busy. And, for the most part, haven't been addressed. Still the limitations - like no system-wide color calibration - have been daunting. Not only for showing off a portfolio or photo shoot in an accessible and effective way, but even in the studio as a monitor for tethered shooting. Indeed, photographers have found tablets handy companions. Still, it was an exciting start and development didn't lag for apps that could do things for photographers. Its imitators have found it a hard road to follow.Īnd even Apple's effort was a read-only start, with the first versions providing more of a window on the Web than a blank canvas to realize your vision. Apple had quite a head start on the operating system with OS X and the gestural user interface with the iPhone before it turned a sheet of glass into a tablet and launched an industry.
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